Себасцьяна Рычы, 1710 г. - Персей супраць Фінея з галавой Медузы - выяўленчая гравюра

Кароткі змест мастацкай копіі карціны "Perseus Confronting Phineus with the Head of Medusa"

Гэты твор мастацтва Perseus Confronting Phineus with the Head of Medusa быў зроблены ст барока painter Sebastiano Ricci in 1710. У наш час твор мастацтва ўключаны ў Музей Дж. Пола Геці мастацкі збор, які знаходзіцца ў в Лос-Анджэлес, штат Каліфорнія, Злучаныя Штаты Амерыкі. З ласкавага дазволу - Музей Дж. Пола Геці (ліцэнзія - грамадскі набытак).Крэдытная лінія мастацкага твора: . Больш за тое, выраўноўванне ёсць пейзаж and has a side ratio of 1.2 : 1, meaning that the length is 20% longer than the width. The painter Sebastiano Ricci was a European artist, whose art style can be classified as Baroque. The Italian artist lived for 75 гадоў - нарадзіліся ў год 1659 у Белуно, правінцыя Белуно, Венета, Італія і памёр у 1734 годзе.

Additional artwork information from The J. Paul Getty Museum website (© Copyright - by The J. Paul Getty Museum - www.getty.edu)

In Greek mythology, the hero Perseus was famous for killing Medusa, the snake-haired Gorgon whose grotesque appearance turned men to stone. This painting, however, shows a later episode from the hero's life. At Perseus's and Andromeda's wedding, their nuptials were interrupted by a mob led by Phineus, a disappointed suitor. After a fierce battle, Perseus finally triumphed by brandishing the head of Medusa and turning his opponents into stone.

Sebastiano Ricci depicted the fight as a forceful, vigorous battle. In the center, Perseus lunges forward, his muscles taut as he shoves the head of Medusa at Phineus and his men. One man holds up a shield, trying to reflect the horrendous image and almost losing his balance. Behind him, soldiers already turned to stone are frozen in mid-attack. All around, other men have fallen and are dead or dying. Ricci used strong diagonals and active poses to suggest energetic movement.

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• Друк на акрылавым шкле: The print on acrylic glass, often labelled as a print on plexiglass, makes an original work of art into beautiful home decoration. Beyond that, the acrylic fine art print makes a viable alternative to canvas and aluminidum dibond prints. The artwork is being made thanks to the help of modern UV printing machines. The effect of this are intense, deep colors. With an acrylic glass art print contrasts as well as smaller color details become exposed because of the granular tonal gradation of the picture. The real glass coating protects your selected art print against light and heat for many years.
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• Алюмініевы друк (алюмініевы дыбонд): Aluminium Dibond prints are metal prints with an outstanding effect of depth. Its non-reflective surface structure make a contemporary look. For the Direct Print On Aluminum Dibond, we print the selected artpiece onto the aluminium composite surface. The bright and white parts of the original work of art shine with a silky gloss, however without glow. Colors are luminous and bright, the fine details of the print are very clear, and the print has a a matte look you can literally feel. The print on Aluminum Dibond is one of the most popular entry-level products and is an extremely stylish way to display art reproductions, as it draws attention on the image.
• Друк плаката (матэрыял палатно): The poster is a UV printed canvas paper with a nice finish on the surface, that resembles the actual artwork. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6cm round about the print, which facilitates the framing.

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Адмова ад адказнасці: We try everythig possible in order to describe our products as accurate as possible and to display them visually in our shop. Still, some pigments of the print products and the printing may differ somehwat from the representation on the screen. Depending on the settings of your screen and the condition of the surface, color pigments may not be printed as exactly as the digital version depicted here. In view of the fact that all the art prints are printed and processed manually, there might as well be minor deviations in the motif's size and exact position.

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