Альбрэхт Дзюрэр, 1516 - Выкраданне на аднарогу - выяўленчая гравюра

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Мастацкі твор Abduction on a Unicorn была створана Альбрэхт Дзюрэр in 1516. Больш за тое, твор мастацтва належыць ст Дзяржаўны музей мастацтваў (Нацыянальная галерэя Даніі). лічбавая калекцыя, якая знаходзіцца ў в Капенгаген, Данія. З ветлівасці Нацыянальная галерэя Даніі (license: public domain).: . Moreover, alignment of the digital reproduction is portrait and has a ratio of 1: 1.4, што азначае, што даўжыня на 29% карацей шырыні. Albrecht Dürer was a male painter, whose artistic style can primarily be attributed to Northern Renaissance. The artist was born in the year 1471 and died at the age of 57 У 1528.

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Юрыдычная адмова: We do in order to depict our art products as precisely as possible and to demonstrate them visually. Still, the pigments of the print products and the printing can diverge to a certain extent from the image on your monitor. Depending on your screen settings and the condition of the surface, not all colors will be printed as exactly as the digital version on this website. Because our art reproductions are processed and printed by hand, there might as well be minor differences in the exact position and the size of the motif.

Пра прадмет

Даведачная інфармацыя аб арыгінальным творы мастацтва

Кароткі агляд мастака

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(© - Дзяржаўны музей мастацтваў (Нацыянальная галерэя Даніі) - Дзяржаўны музей мастацтваў (Нацыянальная галерэя Даніі))

In spite of great diligence and learning, no-one has as yet provided an entirely satisfactory account of the underlying meaning of this iron etching. Scholars have searched in vain for a literary source within classical mythology and German legend.

The picture's unsolvable rebus A naked horseman, his hair and beard wild and unkempt, his appearance very much like that of Dürer himself, grabs an equally naked, high-bosomed woman and abducts her on a horned, horse-like creature, presumably one of those unicorns that many have heard of but never seen.

A hidden reference to something private? A self-penned anecdote? At any rate, the picture is as yet a puzzle, an unsolvable rebus that challenges our minds and imaginations, forcing spectators to see the picture rather than merely note it.

Prints of six iron ecthings Only six iron etchings by Dürer’s hand are known today. The Department of Prints and Drawings owns prints of every one of them, even of an unusually high quality – printed before the rust set in!

Usually, graphic artists will use plates made from copper or zinc for etchings, but Dürer chose to experiments with iron plates. Every time he made a print, the inkcovered plate met a piece of damp paper. Eventually this created rust stains that appeared as shadows on the paper.

To an artist as perfectionist as Dürer, this was probably sufficient reason for conclusively returning to woodcuts and copper engraving.