Каміль Каро, 1826 - Вадаспад у Тэрні - выяўленчая гравюра

Апісанне артыкула

Гэта скончылася 190 year-old work of art was created by the мужчына мастак Каміль Каро. Арыгінал меў памер: 10 1/2 x 12 1/8 у (26,7 x 30,8 см) і быў зроблены з тэхніка of oil on paper, laid down on wood. Мастацкі твор знаходзіцца ў ст Музей мастацтваў сталіцы лічбавая мастацкая калекцыя ў Нью-Ёрк, Нью-Ёрк, Злучаныя Штаты Амерыкі. With courtesy of: The Metropolitan Museum of Art, New York, The Whitney Collection, Gift of Wheelock Whitney III, and Purchase, Gift of Mr. and Mrs. Charles S. McVeigh, by exchange, 2003 (у адкрытым доступе). : The Whitney Collection, Gift of Wheelock Whitney III, and Purchase, Gift of Mr. and Mrs. Charles S. McVeigh, by exchange, 2003. Besides, the alignment of the digital reproduction is landscape with a ratio of 1.2: 1, meaning that the length is 20% longer than the width. The painter Camille Corot was an artist, whose art style can be attributed mainly to Realism. The European artist lived for 79 гадоў and was born in the year 1796 and deceased in the year 1875.

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• Алюмініевы дыбанд (металічны прынт): Aluminium Dibond prints are prints on metal with a true depth - for a modern impression and a non-reflective surface. A direct Aluminium Dibond Print is the best start to replicas on aluminum. For your Print On Aluminum Dibond, we print your artpiece on the surface of the aluminum material. The bright parts of the artpiece shimmer with a silk gloss, however without the glare. The colors are bright and luminous, fine details appear crisp and clear, and there’s a matte appearance you can literally feel.
• Друк на акрылавым шкле (з сапраўдным шкляным пакрыццём): The print on acrylic glass, which is sometimes named as a plexiglass print, transforms the original work of art into beautiful décor. Your own replica of the work of art is being custom-made thanks to modern UV direct print technology. It creates stunning, intense color shades. With an acrylic glass fine art print contrasts plus artwork details will be more exposed thanks to the precise tonal gradation. The real glass coating protects your selected art print against sunlight and heat for many years to come.
• Плакат на палатняным матэрыяле: A poster is a printed sheet of flat canvas with a fine surface texture. It is used for placing your fine art print using a personal frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the work of art, which facilitates the framing with a custom frame.
• Друк на палатне: A printed canvas material applied on a wooden stretcher frame. It makes a particular look of three dimensionality. A printed canvas of your favorite artpiece will let you turn your into a large work of art. The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up the Canvas print without the support of extra wall-mounts. Therefore, a canvas print is suitable for all kinds of walls in your home.

Юрыдычная адмова: We try whatever we can in order to depict the products as precisely as possible and to illustrate them visually. Please keep in mind that the pigments of the print products and the printing can vary somehwat from the image on your monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments are printed one hundret percent realistically. In view of the fact that our art prints are processed and printed by hand, there might also be slight deviations in the exact position and the size of the motif.

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Структураваныя дэталі твора мастацтва

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What does the The Metropolitan Museum of Art state about this artwork painted by Camille Corot? (© - by The Metropolitan Museum of Art - www.metmuseum.org)

Painters visited Rome and the surrounding countryside to record the natural beauty of the scenery and its antique monuments. The Cascata delle Marmore combines both, having been engineered in the third century B.C. to divert the river Velino into the Nera, a tributary of the Tiber. Corot visited the waterfall in summer 1826, attaining a mastery of plein-air technique that is characterized by the candor, naturalism, and seemingly intuitive structure of this sketch. Corot did not exhibit such informal works, but he tried to infuse the paintings he began to show at the Salon the following year with the same vigorous sensibility.